Oil on canvas. 179, 181 (detail), Bacon and the Mind: Art, Neuroscience and Psychology, London: Thames & Hudson, London: The Estate of Francis Bacon, The information in the present section on francis-bacon.com is based on the data in, ‘Notes for readers’ are extracted from the, Vol.1, p.102 and 103) and elaborate on the. modifier - modifier le code - modifier Wikidata. Specific Date and Location. Francis Bacon: The Logic of Sensation', 'Demons and beefcake - the other side of Bacon / Sadomasochism and shoplifting sprees: Bacon's legacy revisited', 'Disturbed Ground: Francis Bacon, Traumatic Memory and the Gothic', 'Eerie resonance as Moore and Bacon capture a savage dignity', 'European painting in LA: A grab bag of well-worn issues', 'Ex-convict gets the spoils of Bacon's £30m legacy', 'Exhibition Reviews: Bacon/Picasso: Paris', 'Exhibition Reviews: Bacon; Hirst: London', 'Exhibition Reviews: Edinburgh and Luxembourg: The School of London', 'Exhibition Reviews: Francis Bacon: Norwich, Wisconsin and Buffalo', 'Exhibition Reviews: Francis Bacon: Vienna and Basel', 'Exhibition Reviews: London: Francis Bacon', 'Exhibition Reviews: New York: Winter painting exhibitions', 'Exhibition Reviews: Paris and Munich: Francis Bacon', 'Exhibition Reviews: São Paulo: The 1998 Bienal', 'Exhibitions: Francis Bacon: Dublin and Compton Verney', 'Explosion at San Giovanni in Laterano, Summer 1993: Notes for Francis Bacon's Figure with Meat', 'Farewell to flat, goodbye to square: London Commentary', 'For sale: portraits that Bacon wanted to dump in a skip', 'Francis Bacon - 'I Wanted to Paint the Scream'', 'Francis Bacon Archive, Tate Britain, London', 'Francis Bacon and Walter Sickert: 'images which unlock other images'', 'Francis Bacon and a vision of perfection', 'Francis Bacon and the Fortunes of Poetry', 'Francis Bacon and the tradition of art: Kunsthistorisches Museum, Vienna', 'Francis Bacon artwork sets auction record in NY', 'Francis Bacon at the Metropolitan Museum', 'Francis Bacon in Paris: figures in a room', 'Francis Bacon o la pintura en carne viva', 'Francis Bacon was a shock merchant, not a Nazi', 'Francis Bacon's correspondence with Sir Colin Anderson', 'Francis Bacon's plea for costs rejected', 'Francis Bacon, 82, Artist of the Macabre, Dies: Francis Bacon, Painter, Is Dead at 82', 'Francis Bacon, Louise Bourgeois and Franz Xaver Messerschmidt: Cheim and Read', 'Francis Bacon, confounder of art critics: Master of ebullient despair', 'Francis Bacon, the Papal Portraits of 1953', 'Francis Bacon/Henry Moore: Flesh and Bone, Ashmolean Museum', 'Francis Bacon: "De-Faced" Self-Portraits', 'Francis Bacon: A great, shocking, eccentric painter', 'Francis Bacon: Metropolitan Museum of Art', 'Francis Bacon: New transmutations of an autumn rose', 'Francis Bacon: Painting after Photography', 'Francis Bacon: South Kensington London 1982', 'Francis Bacon: Studies for a Portrait - Francis Bacon: Incunabula', 'Francis Bacon: contradicciones sublimadas', 'Francis Bacon: une bouche comme un Sahara', 'French and English art: New trends in painting and sculpture', 'From London: Some Anglo-Saxon intentions and responses', 'From the Archives: James Thrall Soby and Francis Bacon', 'Galleries: A natural talent for symbolism', 'Galleries: The thoughtful process of falling off a log', 'Gallery 'cheated Bacon out of tens of millions'', 'Gowrie’s 'outrageous' decision stops lottery cash for artist’s story: Bacon love film funding blocked', 'Handyman brings home the Bacon for art sleuths', 'Hanover Gallery: Mr. Francis Bacon's paintings', 'High prices for modern British pictures', 'His life was a commitment to excess. 7 Feb. 1986-31 Mar. modifier - modifier le code - modifier Wikidata Head VI est un tableau de Francis Bacon issu d'une série de six tableaux de 1949. Oct 18, 2017 - This Pin was discovered by Chase Bindner. Edinburgh: National Galleries of Scotland in association with the British Council, In Camera: Francis Bacon, Photography, Film and the Practice of Painting, Norwich: Sainsbury Centre for Visual Arts On 30 July 1996 David Sylvester wrote to the then owner of ‘Lying Figure’, c.1953 (53-21), who was disappointed he had not included it in the Bacon retrospective at the Centre Pompidou, Paris. 31, 94, 271; ill. No. After 1969, Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently. 1985-18 Aug. 1985, Stuttgart: Staatsgalerie ', 'Bacon not artist of his 'self-portrait'? 6, unpaged, Marseille: Centre de la Vieille Charité Discover (and save!) Whilst Head VI is often hailed as Bacon’s inaugural Pope, the artist’s initial engagement with the subject was in 1946. Made with hand-selected, top-quality pork belly, this bacon is smoked with hardwood chips and generously cut. 11 Sep. 2008-4 Jan. 2009, pp. Source: i.redd.it. It shows a bust view of a single figure, modeled on Diego Velázquez's Portrait of Innocent X. Bacon applies forceful, expressive brush strokes, and places the figure within a glass cage structure, behind curtain-like drapery. Solo 'Francis Bacon, Tate, London (1962)', Tate Gallery, London, 24 May 1962 - 01 July 1962 (81) 'Francis Bacon', Kunsthalle Mannheim, Mannheim, 18 July 1962 - 26 … Boar's Head® Extra Thick Cut Naturally Smoked Bacon is for the refined Bacon aficionado. Bacon's World ''Francis Bacon' Tate Britain 11 September 2008-4 January 2009 (and two publications)' ''Lost' Bacon painting expected to fetch £1.5m' ''Lost' Bacon to be sold at auction' '...and moreover' 'A British Outsider Embraced With a French Blockbuster' 'A Course of Severe and Arduous Trials': Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland 'A … Head Case Designs Bacon Dinde de Noël Coque en Gel Doux Compatible avec LG G8S ThinQ: Amazon.fr: High-tech Choisir vos préférences en matière de cookies Nous utilisons des cookies et des outils similaires pour faciliter vos achats, fournir nos services, pour comprendre comment les clients utilisent nos services afin de pouvoir apporter des améliorations, et pour présenter des … He created in Expressionism, Surrealism and Cubism. 11 Feb. 1990-29 Apr. Titles of paintings placed in inverted commas, for example ‘Figure with Cricket Pad’, c.1982 (82-09), were not applied by Bacon or by his gallerists, and are merely descriptive. 56, 77-78, 81-82, 84, 87-88, 97, 102, 128, 182, 185; ill. No. 1964 Cr Number. Paintings are catalogued chronologically, under the year of their completion: thus a painting dated 1956-57 will be found in 1957. So it's no surprise that some portraits had two heads', 'Homosexuality out of the margins and in the heart', 'How Italian artists make a fortune faking Bacon', 'Hugh Lane gallery profits from 'ghastly misunderstanding' over Bacon's studio', 'Hundreds of 'lost' Bacon sketches surface in studio', 'Hunt for 'missing' works of Francis Bacon', 'Hunting of the ark: men, beasts and gods', 'I offered Bacon £50,000 a picture but rival blackmailed him over tax bill, claims dealer', 'If Paintings Had Voices, Francis Bacon's Would Shriek', 'In memoriam: David Sylvester: The art of the interview', 'International Studio: Master of the Monstrous', 'John Edwards: Francis Bacon's model companion, in good times and in bad', 'King of pain / pope of pop / memo from Turner', 'London Galleries: Convulsions of Mind and Body', 'Lying figure: Francis Bacon and the female nude', 'Madrid: Francis Bacon: Galerie Marlborough', 'Modern painting and sculpture: Young Contemporaries exhibition', 'Mr. Doubtless Bacon cut the canvasses so as to leave the stretchers intact for … The information in the present section on francis-bacon.com is based on the data in Francis Bacon: ... On small portrait canvasses he – or a friend – invariably cut out the head, and on the large canvasses the heads and sufficient of the main figurative elements to nullify the ‘image’ were excised. Undocumented paintings, to which only approximate (circa) dates can be attached, are generally placed at the end of the year in which they are believed to have been painted; this rule is departed from when there is firm evidence that a painting was made at a specific date during a certain year (for example ‘Street Scene (with Car in Distance)’, 1984 (84-03). Francis Bacon, London 2005, p. 14). New Haven: Yale University Press in assoc. Date Photographed. Collection. selon les recommandations des projets correspondants. Francis Bacon', 'Art Stars and Plasters on the Wounds: Why Have There Been No Great Irish Artists? Francis Bacon's virtuosity: Van Gogh translated', 'National art treasures lost for lack of money', 'New Work by Henry Moore and Francis Bacon', 'New acquisition of six unfinished paintings by Francis Bacon', 'New acquisitions at the Tate: old and recent works', 'News and Views from New York: New York I at the Alan Gallery', 'No friends, by request, at Bacon's farewell', 'No signs of a City crash crisis as Bacon brings home £26m record', 'Notes from Paris and London: Bacon and Wols at the Hanover Gallery', 'Obituary: Francis Bacon: Genius formed in the blackness of the Blitz', 'Obituary: Isabel Lambert: More than muse material', 'Obituary: Mr. Peter Watson: Modern patron of art', 'PORTRAIT OF THE WEEK NO 96: BACON'S STUDY FOR PORTRAIT II - AFTER THE LIFE MASK OF WILLIAM BLAKE (1955)', 'Painter busting with exhilarated despair', 'Painting bought in 1953 may earn students £700,000', 'Painting pictures in Soho and Greenwich Village', 'Passages to Paint: Francis Bacon's Studio Practice', 'Picture choice: A direct hit on the nerves', 'Pictures by a Sunday painter turn out to be a valuable slice of Bacon', 'Power of three: Bacon triptych emerges from Tehran storeroom', 'Rare chance to own a Francis Bacon original - from the artist's tufted period', 'Realism versus Realism in British Art of the 1950s', 'Record £26,000 paid for a Francis Bacon', 'Regarding the pain: noise in the art of Francis Bacon', 'Regrets: Francis Bacon, Lucien Freud and Jasper Johns', 'Relative presences: A roomful of Bacon at the Tate', 'Rich pickings: Friend who inherited Bacon's £11m fortune went on 11-year spending spree', 'Rina Arya: Francis Bacon. 1993-10 Oct. 1993, Francis Bacon: 'Taking Reality by Surprise', pp. with the Sainsbury Centre for Visual Arts, Francis Bacon: Studies for a Portrait: Essays and Interviews, New Haven and London: Yale University Press, pp. Head Case Designs Un Bacon Vie d'un Corgi Étui Coque en Gel Molle pour iPhone 6 Plus/iPhone 6s Plus: Amazon.fr: High-tech Choisir vos préférences en matière de cookies Nous utilisons des cookies et des outils similaires pour faciliter vos achats, fournir nos services, pour comprendre comment les clients utilisent nos services afin de pouvoir apporter des améliorations, et pour … Paintings with the suffix ‘D’ in the catalogue (for example 67-15D) are destroyed. 20, unpaged (b&w), Paris: Galeries nationales du Grand Palais (41 x 42.5 cm) irregular Further Details . More art La … The five works Bacon included in his first exhibition, in 1930, all had specific titles. An atheist and nihilist, the only ‘finish’ he recognised – and was haunted by – was death: to finish a painting was, perhaps, analogous to dying. ', 'Art and Artists: James Tissot Vulgar Society', 'Art attack: Portrait of Bacon's violent lover for auction', 'Art in London: Paintings, Pleasant and Unpleasant: Francis Bacon Studies', 'Art news from Los Angeles: Bacon, Bloom; Los Angeles group', 'Art, death and immortality over a naked lunch’, 'Artist of bleak vision, composer of mystical faith', 'At $142.4 Million, Triptych Is the Most Expensive Artwork Ever Sold at an Auction', 'Bacon 'blackmailed' by art gallery owner, court is told in dispute over £100m fees', 'Bacon and Bourgeois Save the Biennale: But Leave the Olive in a Pickle', 'Bacon and Giacometti: Likeness and Difference', 'Bacon and Moore again in Powerful Relation', 'Bacon estate is 'trying it on' court is told', 'Bacon film hit by dispute over who owns artist's words', 'Bacon gave secret $4m to beloved banker', 'Bacon left his best friend an £11m fortune. Head I | Francis Bacon. 2000-31 Aug. 2000. ', 'Bacon painting settles £680,000 tax demand', 'Bacon papal portrait sells for record £14m', 'Bacon record tops £3.9m on a British night out', 'Bacon wanted to bin these 'bits and bobs' - last night they sold for £1.1m', 'Bacon's bleak look at the business of growing old', 'Bacon's rare portraits of female lover go to auction', 'Bacon's works on despair fetch six figures', 'Bacon, White, de Maistre and a reds-topped desk', 'Beaux Arts Gallery: studies of movement with Mr. Wirth-Miller', 'Best of British Bacon in Russian art show', 'Books: Interviews with Francis Bacon 1962-1979', 'Bring Bacon home: The art world continues to neglect our native genius', 'Brushes with the soldiery of the canvas', 'Classic Bacon: Triptych could fetch record £35m', 'Current and Forthcoming Exhibitions: London', 'Current and Forthcoming Exhibitions: Switzerland', 'Current shows and comments: "If winter comes..."', 'Current shows and comments: A bit of chiffon', 'Current shows and comments: On the significance of a word', 'Current shows and comments: The Dark is Light Enough: Francis Bacon at the Marlborough', 'Current shows and comments: The academic challenge', 'Deleuze, Gilles. 15 Oct. 1989-14 Jan. 1990, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution The photography dates provide key data, therefore, in the chronology of paintings. 12 Oct. 1989-7 Jan. 1990, Los Angeles: Los Angeles County Museum of Art Metropolitan Museum of Art, New York. 61-62, 69, 86, 122-123, 125; ill. p. 122 (b&w), Dublin: Hugh Lane Municipal Gallery of Modern Art Alley 205. Le tableau est conservé à … 24 Jan. 2003-20 Apr. Great for … When your a Robuxless noob with no money to swag out your character Bacon' on reverse. Alley 20. Francis Bacon [The butcher's meat: Francis Bacon], 인간의 피냄새가 내 눈을 떠나지 않는다: 프랜시스 베이컨과의 대담 [Conversations with Francis Bacon]. Collection. 34, 227-230 (detail, b&w), Porto: Fundação de Serralves 2010, Francis Bacon: Critical and Theoretical Perspectives, After Francis Bacon: Synaesthesia and Sex in Paint, pp. methodology and thinking behind the compilation and presentation of some data, such as titles, dates and media. 40-42, 50, 52, 127, 144, 147, 215, 217, 223, 226, 261; ill. No. More Art The Yerres, Effect of Rain, Gustave Caillebotte, 1875 [1179 x 1600] rain. The so-called ‘slashed canvasses’ are not (with one, uble Portrait of Lucian Freud and Frank Auerbach, The question of ‘finish’, as signifying a putative state of completion, is probably less relevant in the case of Bacon than most other artists. 2007-30 Jul. Francis Bacon's new paintings: Extraordinary use of photographs', 'Mr. Furthermore, for the ‘post-Alley’ years, 1963 to 1991, the titles established by Bacon and Marlborough Fine Art have been adopted consistently; for example, although Painting, 1980 (80-09) was exhibited in 1999 with the descriptive title Three Figures, One with a Shotgun, subsequent research has shown that its original title was Painting, and has been reverted to here. Le tableau est conservé dans la collection de Richard S. Zeisler à New York... Un article de Wikipédia, l'encyclopédie libre. (103 x 75 cm) irregular Further Details . With Todd Grundy, Scott King, David Thomas, Brett McIntyre. 106, 122, 134, 143-144, 147, 153-158, 160, London: Tate Britain ‘Bacon’s Head with Raised Arm poses the question that would haunt Bacon for the duration of his career: how to paint the human figure in the age of photography,’ continues Outred. Show Sizes Sizes available. ‘The camera’s ability to cast fiction as truth resonated with the fundamental tension that Bacon identified in religious and political figureheads: a conflict between public image and innate … approx. Discover (and save!) Head III. ‘I am working on 3 sketches of the Velasquez portrait Pope Innocent II [sic]’, he wrote to Graham Sutherland on 19 October. Doubtless Bacon cut the canvasses so as to leave the stretchers intact for … Private Collection. Collection. *** Our shop has over one hundred fabric styles to choose from. 12 Sep. 2013-5 Jan. 2014, Francis Bacon: La France et Monaco / France and Monaco, Paris: Albin Michel, Monte Carlo: Francis Bacon MB Art Foundation, pp. In this zany comedy, director Ray Mahoney pulls no punches in a series of sketches mocking everything from kitchen utensils to the Shroud of Turin. Moreover, if, Robert Melville, reviewing the 1964 Alley/Rothenstein catalogue raisonné in, ''Francis Bacon' Tate Britain 11 September 2008-4 January 2009 (and two publications)', ''Lost' Bacon painting expected to fetch £1.5m', 'A British Outsider Embraced With a French Blockbuster', 'A Course of Severe and Arduous Trials': Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland, 'A Magnificent Mischief-Maker: To be in Francis Bacon's company was to be dazzled and confused, seduced and stunned', 'A Note on the Development of Francis Bacon's Painting', 'A Trail of Human Presence: On Some Early Paintings of Francis Bacon', 'Ambivalent Homecomings: Louis le Brocquy, Francis Bacon and the Mechanics of Canonization', 'Another Look at Bacon: Newfound Canvases Shed More Light on a Master', 'Apparitions of evil: Mr. Francis Bacon's new paintings', 'Art Dispatch from Europe: Düsseldorf. Vous pouvez partager vos connaissances en l’améliorant (comment ?) 13 Oct. 2005-15 Jan. 2006. 1990, New York: Museum of Modern Art Completed in 1948, it is the first in a series of six heads, the remainder of which were painted the following year in preparation for a November 1949 exhibition at the Hanover Gallery in London. Oil and tempera on hardboard. Oil on canvas, mounted on board. Melville doubted that Bacon gave any of his paintings the title ‘Pope’, and pointed out that when he was working for Erica Brausen at the Hanover Gallery, ‘we used to call them “cardinals” rather than “popes” in the presence of visitors, to make sure that no one would be offended.’ Melville predicted that all the paintings in the 1964 catalogue would be thenceforth known by the titles assigned to them by Ronald Alley. Forty such canvasses, found in Bacon’s studio after he died, are now in Dublin City Gallery The Hugh Lane. Inscriptions. These compromise categories have been jettisoned in the present catalogue, and the extant paintings placed where they occur in the chronology. 7 Mar. Private Collection . Find more prominent pieces at Wikiart.org – best visual art database. 19 Oct. 1985-5 Jan. 1986, Berlin: Nationalgalerie I think that a different attitude should be taken when an artist has been dead for some years.’ Sylvester volunteered the comment: ‘As we all know, works which an artist abandoned can still be works of great value: there are any number of such works by a variety of masters in the museums of the world. 1948. Doubtless Bacon cut the canvasses so as to leave the stretchers intact for … Bacon's new paintings: African animals', 'Mr. Painted summer 1962 . approx. Francis Bacon: Caged, Uncaged (48 works, 62 items of studio material). Canvas dimensions are given in imperial measurements, height preceding width, followed by metric; this conforms with the British manufacture of Bacon’s canvasses. 2003, New Haven: Yale University Press for Paul Mellon Centre for Studies in British Art, pp. Bacon destroyed many hundreds of paintings. 1972-7 May. 1961. Head III – Francis Bacon, 1949 [81 x66] art artwork fauna head painting tree water. Prices and auction sale details for head i, Painting by artist Francis BACON (15191901) For full functionality of this site it is necessary to enable JavaScript. your own Pins on Pinterest The modern practice of fixing backing boards on paintings means that, even when granted privileged access to works, it is not always possible to inspect the reverse side. www.wikiart.org. London: Thames & Hudson, Sydney: Art Gallery of New South Wales, Oxford: Ashmolean Museum 14, p. 41 (b&w), Edinburgh: Scottish National Gallery of Modern Art Bacon destroyed many hundreds of paintings. Saved by Ambar Lucy. Between Rounds, Thomas Eakins, 1899, [2787 x 3530] Source: i.redd.it. He explained that none of the pictures listed in the 1964 catalogue raisonné as ‘Abandoned’ was treated as a candidate for inclusion, adding ‘it seems reasonable to me that during an artist’s lifetime and for a few years after his death, a retrospective exhibition should not include works that he considered abandoned. Source: i.redd.it. 14 x 12 in. Le tableau est un buste du pape Innocent X sur le modèle de Portrait d'Innocent X de Diego Vélasquez. Exhibitions. Dec 2, 2016 - Francis Bacon was an Irish-born British painter, known for his raw, emotionally charged images. ‘Head I’ was created in 1948 by Francis Bacon. Head VI is an oil-on-canvas painting by Irish-born figurative artist Francis Bacon, the last of six panels making up his "1949 Head" series. 45, unpaged (b&w), London: Tate Gallery It was neither whimsical nor accidental that he called so many of them ‘Study for…’: he was being not so much tentative as open-ended. 1964 Cr Number . In my opinion “Lying Figure” is a very fine example of Bacon’s work.’. Ogawa Ritsuo, around 1730 [2309x1440] sea. Head I is a relatively small oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. 2 of Lying Figure with Hypodermic Syringe, Étude d'après le portrait du pape Innocent X par Velázquez, Trois études de figures au pied d'une crucifixion, Triptych inspired by T.S Elliot's 'Sweeney Agonistes', Two Figures Lying on a bed with Attendants, After Muybridge - Study of the Human Figure in Motion - Woman Emptying a Bowl of Water, Three Studies for a Portrait of George Dyer, Double Portrait of Lucian Freud and Frank Auerbach, Three Studies for a Portrait of Lucian Freud, Portrait of Lucian Freud (on Orange Couch), Three Studies for a Portrait of Peter Beard, Three Studies for a Portrait of Henrietta Moraes, Three Studies for the Head of Isabel Rawsthorne, Portrait of Isabel Rawsthorne Standing in a Street in Soho, Three Studies of Henrietta Moraes laughing, Study for a Self-Portrait—Triptych, 1985–86, https://fr.wikipedia.org/w/index.php?title=Head_I&oldid=155490643, Article contenant un appel à traduction en allemand, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. 29 Jan. 2007-15 Apr. with Dublin City Gallery The Hugh Lane, pp. in. 17, p. 32; p. 102, Francis Bacon - New Studies: Centenary Essays, Rome: Galleria Borghese Here are the instructions how to enable JavaScript in your web browser . Sea bream on bamboo leaves. (103 x 75 cm) Francis Bacon: Portraits and Heads (54 works). In the present catalogue the titles of paintings dating from 1929 and 1930 follow those adopted by Alley, but they have been placed within inverted commas since it is highly unlikely that Bacon titled them as they are, by their media; (Alley had to negotiate Bacon’s indifference – or hostility – towards his pre-1944 œuvre). 40 ½ x 29 ½ in. Among the paintings with descriptive titles in the catalogue, many did not emerge into public view until after 1998. {{selectedLanguage.Name}} Se connecter Déconnexion The information in the present section on francis-bacon.com is based on the data in Francis Bacon: ... On small portrait canvasses he – or a friend – invariably cut out the head, and on the large canvasses the heads and sufficient of the main figurative elements to nullify the ‘image’ were excised. Bacon here reduces the human form to a snarling mouth with fangs. A brazen head, brass, or bronze head was a legendary automaton in the early modern period whose ownership was ascribed to late medieval scholars such as Roger Bacon who had developed a reputation as wizards.Made of brass or bronze, the male head was variously mechanical or magical.Like Odin's head of Mimir in Norse paganism, it was reputed to be able … Jun 14, 2012 - This Pin was discovered by Brandon Geurts. This precept has been adhered to in the present catalogue. (35.5 x 30.5 cm) Further Details . Exhibitions. *** Please read all listing information, including sizing information as we do not accept returns or exchanges. The artist’s use of white lines to create a box or interior frame within the composition would characterize his work for the next forty years. irregular. Paris: Centre national d'art contemporain, London: Thames & Hudson, New York: Harry N. Abrams, Francis Bacon: The Early and Middle Years, 1928-1958, pp. London: Tate Gallery in assoc. Photography ordered 30 November 1961. 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Why we need clutter', '£1.8m price tag for 'lost' Bacon painting', Bacon a Brera: e quaranta disegni di Grosz in sosta a Milano, Bacon: 1909-1992: Deep Beneath the Surface of Things, Changing Perceptions: Milestones in Twentieth-Century British Portraiture, Conversas com Francis Bacon: O cheiro do sangue humano não desgruda seus olhos de mim, De Manet à Bacon: La collection Jacqueline Delubac, El olor a sangre humana no se me quita de los ojos: conversaciones con Francis Bacon, Erica Brausen: Premier Marchand de Francis Bacon, Francis Bacon (1909-1992): Three Figures at the Base of a Crucifixion c. 1944', Francis Bacon Kreuzigung: Versuch, eine gewalttätige Wirklichkeit neu zu sehen, Francis Bacon ou la brutalité du fait: suivi de cinq lettres inédites de Michel Leiris à Francis Bacon sur le réalisme, Francis Bacon/Henry Moore: Flesh and Bone, Francis Bacon: L'art de l'impossible: Entretiens avec David Sylvester, Francis Bacon: Lo Sagrado y lo Profano / The Sacred and the Profane, Francis Bacon: Paintings from The Estate, 1980-1991, Francis Bacon: Recent Paintings 1968-1974, Francis Bacon: The Papal Portraits of 1953, Francis Bacon: Vier Studien zu einem Porträt, Francis Bacon: logica van de gewaarwording, Francis Bacon: Œuvre graphique - The graphic work: Catalogue raisonné, Interviuri cu Francis Bacon: brutalitatea realităţii, L'odeur du sang humain ne me quitte pas des yeux: Conversations avec Francis Bacon, La brutalità delle cose: conversazioni con David Sylvester, Movement and Gravity: Bacon and Rodin in Dialogue, Museum of Modern Art Ludwig Foundation Vienna, New Art New World: British Art in Postwar Society, Robert and Lisa Sainsbury Collection: Volume I: European 19th and 20th Century Paintings, Drawings and Sculpture, Roy de Maistre: The English Years 1930-1968, Rozmowy z Francisem Baconem: brutalność faktu, Studio and Cube: On the relationship between where art is made and where art is displayed, The Battle for Realism: Figurative Art in Britain During the Cold War 1945-1960, [The Rubens Prize awarded to Francis Bacon], ‘Just a pile of paint and a nightmare of chic thrills’, 感覚の論理 : 画家フランシス・ベーコン論 [Logic of sensation: Francis Bacon], 肉への慈悲 : フランシス・ベイコン・インタヴュー [Interview with Francis Bacon], 나는 왜 정육점의 고기가 아닌가?