Along the way, this coming-of-age comedy addresses ‘ragging’ (initiation rituals), the intense pressure to excel in education, student suicide and the tension between the ambitions of students and their parents. It’s considered one of his best films. The common man’s exploitation by greedy industrialists is the theme of ‘Kaala Patthar’, which loosely references the 1975 Chasnala disaster in which 375 miners drowned. The threat of a visit from Gabbar Singh has been used by parents to get kids to bed on time ever since. The title of this sweeping love-triangle romance translates as ‘Will you be my friend?’, and there’s something a little soft and cartoon-like about ‘Mujhse Dosti Karoge!’ as there was with a number of turn-of-the-millennium, mainstream Hindi movies. ‘Main Hoon Na’ exists in a knowingly meta world where global superstar Shah Rukh Khan involuntarily bursts into song every time Miss Universe (Sen) glides by. The film is considered ahead of its time for showing its protagonists, Raju (Anand) and Rosie (Rehman), having an extra-marital affair, and also for presenting its lead character as an unscrupulous scumbag. The six-minute scene is said to have inspired Danny Boyle when he made ‘Slumdog Millionaire’. Great supporting acts by Siddiqui and Chatterjee and a late twist make ‘Kahaani’ extremely watchable. Just. College sweethearts Amit (Bachchan) and Pooja (Gulzar) separate when Pooja announces that her parents have arranged her marriage to Vijay (Kapoor). Kapoor’s unnamed character moves from one part of the building to another, coming across several people, all of whom hide murky secrets. Its staying power comes not just from its extraordinary visual indulgences – the film is candy-coloured, classy and sexy – but also from a brilliant script that carefully reveals layer after layer and eventually turns one of Hindi cinema’s favourite tropes on its head. Cast: JD Chakravarty, Urmila Matondkar, Manoj Bajpai. Shot with great sensitivity and innovation by Guru Dutt’s main man VK Murthy, ‘Sahib Bibi Aur Ghulam’ is a more romantic twin to Satyajit Ray’s ‘Jalsaghar’. ‘In the cricket of life, there’s no draw.’, Cast: Dev Anand, Ashok Kumar, Vyjayanthimala, Tanuja. Amitabh Bachchan broke on to the scene with the role of angst-ridden cop Vijay in ‘Zanjeer’ (1973). The big sceneThis mostly black-and-white film suddenly bursts into colour when the classic ‘I have loved, so what is there to fear?’ confrontational dance number begins. Cast: Emran Hashmi, Kangana Ranaut, Shiney Ahuja. Cast: Karisma Kapoor, Rekha, Manoj Bajpayee. Bollywood’s most successful modern franchise features stylish villains on the run from a lovable yet inept duo: policeman Dixit (Bachchan) and Ali (Chopra), a thief whose help he seeks out. Videos porno gratuites - Streaming gratuit de films porno et partage de vidéos sexe , XXX , clips pornographiques. The four friends go their separate ways, leaving Naina’s love for Bunny unspoken. Cast: Ranbir Kapoor, Nargis Fakhri, Aditi Rao Hydari. The title means ‘Pure’. Shai (Dogra) is a photographer who befriends Munna (Babbar), a slum boy who hopes to break into Bollywood. Bullock-cart driver Hiraman (Kapoor) takes a mysterious female passenger, Hirabai (Rehman), to a faraway fair. RECOMMENDED: The 100 best movies of all time. Cast: Hrithik Roshan, Abhay Deol, Farhan Akhtar, Genre: comedy, adventure, drama, road movie. The film explores his relationship with his doctor, Bhaskar, played by a young Amitabh Bachchan (who would famously oust Khanna from the box-office top spot a few years later). This is an adaptation of Mirza Hadi Ruswa’s well-known 1899 novel about a Lucknow courtesan called Umrao Jaan (Rekha) who fights to escape the profession she was kidnapped into by following the path of true love. Along India's Ganges River, four people face prejudice, a strict moral code and a punishing caste system as they confront personal tragedies. Pure star power, frequent songs, and scenic black-and-white cinematography of rural Bihar (the monochrome was a deliberate choice, as India’s first colour film was in 1964) combine to sustain interest in this progressive culture-class-clash love story. Like most films directed by Sanjay Leela Bhansali (‘Guzaarish’), ‘Black’ is at times uncomfortably manipulative and awkward in its attempt to inspire. He drenches his always-timely message of respect for all faiths in immeasurable imperial pomp. The big sceneA 12-minute medley of songs from other films. Cast: Rajesh Khanna, Amitabh Bachchan, Johnny Walker. The big sceneRana (Chatterjee), a cop, pieces together Vidya’s real identity in a series of flashbacks, while she completes her mission. Amitabh Bachchan excels as the simmering Vijay, who turns to criminality to provide for his mum, while brother Ravi (Kapoor) becomes a cop. The big sceneRaju’s mother collapses and dies just as he’s about to perform – but the show must go on. Both films blend high fantasy and action with an almost Shakespearean sense of drama, resulting in a double bill that knows when to rein it in. But this is still one of the most stark, realistic films to emerge from India in recent times. Although the combination of cricket and colonialism seems like a no-brainer in retrospect, at first nobody would touch this script with a bat. The quintessential Bollywood crime film, ‘Parinda’ tells of street-kid brothers Kishen (Shroff) and Karan (Kapoor). While sticking to the underdog-overcomes-obstacles template, Amin and Sahni deftly weave in themes of cultural diversity, religious difference and feminism. A race follows. ‘Bhaag Milkha Bhaag’ shows us how he came to be one of India’s greatest runners, and how he overcame the demons of witnessing the massacre of his family during India’s partition. A sad clown, Raju (Kapoor), invites the women he loved and lost in his life to his last ever performance. So go forth and discover these 100 great Indian movies – superb films that feature the best Bollywood songs and dances. The big sceneRaj is lured to a party by Maya (which means desire), with the song ‘Mudh Mudh Ke Na Dekh’ (‘Don’t Look Back’), as Vidya (which means education) cries outside the venue. When his snobbish parents object to their ‘friendship’, the young lovers decide to elope. The film tells of Satya (Chakravarty), who is unwittingly sucked into the world of Mumbai crime. ‘Sholay’ has it all – epic dishum-dishum fight scenes, bromance, humour, memorable songs, plot twists, thrilling dance sequences and sparkling performances. The big sceneThe accusatory song on piano – ‘Dost dost na raha’ (‘Friend did not remain a friend’) – is one of a kind in Hindi cinema (a man berating another man for trying to steal his woman), and the most intense point of the film. Hrishikesh Mukherjee’s immensely well-crafted comedy of double identities has Ramprasad (Amol Palekar) doubling up as his non-existent twin brother and wearing a fake moustache, just to convince his new boss Bhavani (Utpal Dutt) that it wasn’t him at a sports match. Devi was a bandit who was jailed for acts of revenge against people who abused her as a child and who later became a politician. This 1990s blockbuster was directly responsible for audiences in India and elsewhere returning to Bollywood after a drastic drop in attendance in the 1980s due to video piracy and disillusionment with the crude action films of that era. Here, Johar brought together a dream cast to play a fractured family. © 2021 Time Out England Limited and affiliated companies owned by Time Out Group Plc. It’s passionate and violent. With Richa Chadha, Sanjay Mishra, Vicky Kaushal, Pankaj Tripathi. Cast: Salman Khan, Bhagyashree, Alok Nath. Director Yash Chopra’s clever handling of the story, which offers a distinctly female perspective on troubled love, makes ‘Chandni’ rise way above the pack. A cunning publisher prints the book and makes a killing. Cast: Zaira Wasim, Meher Vij, Raj Arjun, Aamir Khan. The big sceneThe song and video for ‘Ek Do Teen’ (‘One Two Three’) by composer duo Laxmikant-Pyarelal put actress and dance queen Dixit firmly on the Bollywood map. Cast: Aamir Khan, Salman Khan, Raveena Tandon. Kashyap made ‘Part Two’ at the same time. The big sceneBachchan berates another cop for being a puppet of the establishment – it’s exactly the kind of monologue we’ve come to associate with the actor over the years. Meenakshi (Mukerji) falls in love with Tamil boy Surya (Prithviraj) after she’s drawn to his smell. Its surprise success outside India – especially in the USSR, Africa, China, Greece and the West Indies – was directly responsible for introducing the world to mainstream Hindi cinema. Like the ‘Wakanda forever!’ salute in ‘Black Panther’, ‘Baahubali’ will always be associated with the chant ‘Jai Mahishmathi’. His family is Punjabi. The big sceneWhen wonder dog Tuffy has to decide whether to reunite the lovers or not. Raj’s line – ‘Senorita bade bade desho me aisi choti choti baatein hoti rehti’ (‘Senorita, don’t get stressed by the little things’) – has crossed into daily usage. Yash Chopra’s most romantic movie is a superior Bollywood soap dealing with intergenerational love, personal sacrifices and secrets and lies in the lives of two middle-class Delhi families. However, Raj’s need to make quick money leads him to collaborate with corrupt businessman Dharmanand (Nemo) and his associate, the temptress Maya (Nadira). She marries Sunder, the one she doesn’t love, but then he goes missing at war. The big sceneThe great actor Motilal appears in one scene of the film, drunkenly singing the song ‘Zindagi Khwab Hai’ (‘Life is a dream’). Om (Khan) is a junior artist in love with superstar Shanti (Padukone) in the 1970s. Outrageously, Bachchan persuaded his actress wife, Jaya, to come out of retirement to play his screen wife and his alleged mistress, Rekha, to act in this silly film as his screen mistress. Cast: Prithviraj Kapoor, Dilip Kumar, Madhubala. ‘Sahib Bibi Aur Ghulam’ is a period film about the end of an era. Familiar themes of personal choice versus family responsibility, and of forbidden love, are remixed for the 1990s in this epic, era-defining romance. The big sceneThe musical number ‘Munni Badnaam Hui’ (‘Munni was defamed’) brought back the ‘item song’ (a crude term to describe a song featuring scantily dressed women) in a big way. Akash is oblivious not only to Simran’s shady past as a ‘dance girl’ in sordid Mumbai bars but also to the fact that she is the girlfriend of Daya (Ahuja) a dangerous criminal. Shekhar ‘Elizabeth’ Kapur’s most famous Bollywood film. The big sceneWhen Mahendra Baahubali’s father,  Amarendra shows off his strength by lifting a gargantuan statute of the Hindu god Shiva, preventing it from falling and killing people. Cast: Prithviraj Kapoor, Raj Kapoor, Nargis. The big sceneAny scene with lead actress Zeenat Aman: she is practically topless for most of the film. Cast: Shah Rukh Khan, Gayatri Joshi, Kishori Balal. This poignant film covers one of the darkest periods in India’s contemporary history: the 1992 and 1993 Bombay riots. These blockbusters play like the Bollywood ‘Black Panther’. The world of Indian cinema is so ginormous and, quite frankly, overwhelming, that choosing the best Bollywood films feels an impossible task. Before the dawn of India’s urban multiplex culture in the mid-2000s, director Farhan Akhtar made his debut with this coming-of-age tale about three Mumbai boys whose language reflected how regular people talked – a refreshing change from other Bollywood films of the time. Known as The Show Man, Raj Kapoor’s most famous film is a grand Oedipal melodrama exploring the nature-versus-nurture debate. Kamini spots the couple at a nightclub and decides she can have the domestic bliss she craves by eradicating her meek sister and taking her place. Obviously. But, of course, both Anita and Preetam fall in love… Dutt’s unique directing style is put to inventive use during the songs: the camera appears never to sit still. Tushar Kanti Ray’s cinematography and Gustavo Santaolalla’s background score both beautifully complement this story about different classes of people co-existing in Mumbai. The outlandish plot is played straight as it clumsily examines the nature of surface beauty and inner goodness. Statistiques et évolution des crimes et délits enregistrés auprès des services de police et gendarmerie en France entre 2012 à 2019 He studied civil engineering at Indian Institute of Technology(BHU) Varanasi, graduating in 2003.[7][8][9][10][11][12][13][14]. It’s widely considered to be one of Indian cinema’s most romantic scenes. Kashyap rips to shreds Bollywood’s tradition of shooting airbrushed heroes and heroines in pristine locations. The big scene
The heart-wrenching montage during the song ‘Nadaan Parindey’ as we see Jordan overcome with debilitating grief. The big sceneA climax sees a widow who dared to love about to be executed by being burnt alive on a cross. A runaway hit on release, ‘Om Shanti Om’ achieved what other similar films before it had tried and largely failed to do – to satirise the idiosyncrasies of the Hindi film industry. The big sceneThe title translates as ‘three vows’, and it’s the final vow that brings on the tears. However, wherever Barfi turns, Jhilmil follows and as it dawns on him that she’s the one, the lush green landscape glows in approval. Both jostle for some peace and happiness amid the buzz and mayhem of Mumbai, as they share notes through a tiffin box delivered back and forth. Rahul (Khan) and Anjali (Kajol) are best friends studying in the same college, but the tomboyish Anjali is threatened by the arrival of Tina (Mukerji). Writer-director Vikas Bahl displays a strong flair for capturing human behaviour and peppers a simple story with lovable characters and witty lines. Evoking ‘Mother India’ with its story of a good son pitched against a bad one and a mother caught between them, ‘Deewaar’ places an anti-hero centrestage. Director Bimal Roy’s rare foray into commercial cinema was a heady cocktail of revenge, romance and reincarnation, with a supernatural element thrown in. Inevitably, their paths must cross. Hiraman appears oblivious; he is smitten. The big sceneThe song ‘Kyon’ sees a gentle acoustic guitar accompany Barfi’s attempts to move on from the fairytale world of the film. The big sceneBhaskar cries over Anand’s body, hysterically demanding that his dead friend speak again, when a voice recording left behind by Anand starts to play…, Cast: Amitabh Bachchan, Jaya Bachchan, Rekha. Three years after making his debut with the sleeper hit, ‘Munna Bhai MBBS’, director Rajkumar Hirani brought back the lovable gangster Munna Bhai (Dutt) – for the best sequel ever made by Bollywood. When he kills a small-time thief, he is forced to seek protection from the same politician he loathes. His portrayal of an alcoholic, naïve, half-blind garage owner, who rents his home out to two young boys, brought the house down. The big sceneMeenakshi finds herself fantasising about romancing with Surya while dancing to an archetypal Tamil cinema-inspired song that’s garish, vulgar and full of pelvic thrusts. The brothers are complemented by the film’s romantic interest: a pair of sisters (Singh, Azmi) with distinct motivations and plotlines of their own. After a video of herself singing a song while wearing a niqab to protect her identity goes viral, she has to either face her father’s wrath or give up her dream. We would like to show you a description here but the site won’t allow us. The song ‘Thenpandi cheemaiyile’ tops a much-admired soundtrack by veteran Indian film composer Ilaiyaraaja, who has now scored over 1000 films in his career. Déjà vu! Bollywood Stars and Celebrities Residential Address. The series is heavily defined by its stunt action set pieces and owes a big debt to the likes of ‘The Fast and the Furious’ and ‘Ocean’s Eleven’. The big sceneThe show-stopping theatrical dance piece ‘Ae Bandi Tum’, performed by Gopi Krishna and Roshan Kumari and sung by Asha Bhosle and Kishore Kumar. Karisma Kapoor plays the doe-eyed princess to perfection, and Khalid Mohamed, son of actress Zubeida Begum, wrote the script, based on the tragic life story of his own mother. The big sceneTiger crashes through Dublin’s public transport system – a proud addition to the tradition of Bollywood heroes wreaking havoc in foreign locales. Cast: Naseeruddin Shah, Ravi Baswani, Pankaj Kapur. The big sceneRahul and Rohan reunite after several years. But this story of two conmen (Bachhan and Kapoor) mending their ways and collaborating with a sharpshooter (Shatrughan Sinha) to avenge the death of their cop brother at the hands of the dreaded Shakaal (Kharbanda, in a stunning debut) has aged very well. Directed by Neeraj Ghaywan. Akhtar has never been able to better his first film, but with ‘Dil Chahta Hai’ he ushered in a style of storytelling that was new to Indian audiences, where everything from the dialogue and design to the music was subtle and realistic. It tells of a criminal, Munna (Kapoor), trying to get himself back on the right side of the law while also attempting to rescue his love, Mohini (Dixit), from the grasp of her villainous father. Geet won’t stop talking, and Aditya wants nothing more than to be left alone. A wonderfully sweet soundtrack accompanies this delightful, light and entertaining family comedy. Ritesh Batra’s debut film turned out to be India’s most popular export in recent times, with rave reviews at Cannes followed by a wide release in the US, where the film ended up among the highest-grossing foreign-language films of the year. Cast: Guru Dutt, Waheeda Rehman, Johnny Walker. Actor Anil Kapoor followed his 1987 super-hit ‘Mr India’ with this film (the title means ‘Acid’) that gave actress Madhuri Dixit her breakout role, swept the box office and won four Filmfare awards (Bollywood’s equivalent to the Oscars). … Arun (Khan) is a reclusive painter who moves into a new apartment and finds video diaries left by the previous tenant, Yasmin (Kriti Malhotra). The big sceneA drunk Devdas expresses his anger at his father by jumping into a pond and performing his own last rites. Cast: Aamir Khan, Madhavan, Sharman Joshi, Kareena Kapoor. The novelist Arundhati Roy criticised Shekhar Kapur’s version of the life of Phoolan Devi (Biswas) for simplifying the criminal-turned-politician’s experiences to fit a typical rape-revenge story. ‘Om Shanti Om’ manages this while wearing the garb of a clichéd reincarnation story. Cast: Shah Rukh Khan, Manisha Koirala, Preity Zinta. He dreams of becoming a writer, but instead he’s forced to work in the family business and later to attend engineering school. ‘3 Idiots’ was a huge hit and confirmed Aamir Khan as the master of balancing good old-fashioned family entertainment with meaningful messages. The big sceneRahul and Pooja finally confess their feelings for each other in front of a large audience in a climactic scene guaranteed to bring audiences to tears. Cast: Ranveer Singh, Sonakshi Sinha, Adil Hussain. Thanks for subscribing! Filmmaker Guru Dutt, known for bringing tragic stories to celluloid, plays Vijay, a struggling writer whose two best friends happen to be a streetwalker and a masseuse. interested in Muslim people and culture) became a blockbuster in Hindu-centric India. The big sceneThe climactic cricket match saw audiences cheering on the villagers. Rich Hindu adolescent lad Raja (Kapoor) falls for Bobby (Kapadia), the 16-year-old granddaughter of his Goan Catholic nanny. Khan plays the iconic Chulbul Pandey, a corrupt cop in north India who goes after politicians and gangsters and refers to himself as ‘Robin Hood’ Pandey. Cast: Shahid Kapoor, Kareena Kapoor, Dara Singh. The film goes out of its way to proclaim the untainted virgin status of its female lead, as Madhu (Parekh) only pretends to be a widow in order to assume a new identity. It’s widely considered to be one of Indian cinema’s most romantic scenes. It’s the ultimate love triangle: Rohit (Kapoor) and Chandni (Sridevi) meet at a wedding and fall in love. Embarrassed about being found out by Shai, Munna flees. The big sceneThe film’s climactic scene borrowed from Bimal Roy’s 1958 classic, ‘Madhumati’, and sees Shanti’s spirit return to help Om complete his revenge against Mehra. Kashyap stuck to investigative journalist Hussain Zaidi’s version of the planning, execution and aftermath of the explosions and extracted great performances from his ensemble cast. It’s held together by teenage actress Padmini Kolhapure, who is utterly convincing and sympathetic as the unlucky bride who discovers the true meaning of love. Full of spite, Devdas goes on a drinking binge and ends up in the arms of a dancing girl, Chandramukhi (Dixit). Cast: Manoj Bajpai, Nawazuddin Siddiqui, Richa Chadda. The two discover the dead body and fight to ensure that it doesn’t end up in the hands of a motley group – the killer, his competitor, his two associates and a journalist, all of whom have vested interests in the case. Director-star Raj Kapoor’s semi-autobiographical magnum opus is four hours of self-loathing angst, which crashed at the box office and almost bankrupted the director-actor. [2][3][4] He is also the co-creator of Aisi Taisi Democracy. It’s a flawed masterpiece that is guilty of exactly of what it purports to criticise. Cast: Sridevi, Rishi Kapoor, Vinod Khanna. Cast: Guru Dutt, Mala Sinha, Waheeda Rehman. This spy thriller tells of Vinay (Anand), an ordinary young man with a striking resemblance to a jewel thief, Amar (also Anand). There are rough edges to ‘Prem Rog’ and some hammy acting, but ultimately its liberal and progressive stance wins you over. In this popular comedy, a nonsensical plot about a botched kidnapping and phone calls going to the wrong number is balanced by some fine acting from lead actors Kumar, Shetty and Rawal. Laxmi falls pregnant by bored middle-class student Surya (Nag) at his family’s holiday farmhouse. Nair cast real street children, something that Danny Boyle would later do for ‘Slumdog Millionaire’, and the film’s strength is that it observes and illuminates but does not judge – we’re given more than enough room to make up our own minds on the issues raised by the film. The big sceneSatya pleads with his lover to open her door, while outside the police are trying to kill him. The film’s reputation is also bolstered by its pedigree: it was produced under the venerable Yash Raj banner and all four of its romantic leads came from established film families (including the producer’s son, Uday Chopra). Heard that somewhere before? He is known for his work on Gangs of Wasseypur (2012), Satya (1998) and Reflection (2001). Pooja’s search for her own identity leads her to many revelations, while Inder is ultimately left alone. This is truly mature cinema. This isn’t the classic idea of Bollywood, but it’s a strong film nevertheless. Director MS Sathyu, a Marxist activist, created a heart-wrenching tale of innocent lives torn apart by hatred and suspicion. Lead actor and director Raj Kapoor modelled his on-screen persona in ‘Shree 420’ and other films after Charlie Chaplin’s Little Tramp. Writer-director Mira Nair had lived and studied in the US for several years by the time she returned to India to make her eye-opening drama about a young boy, Krishna (Syed) falling deeper and deeper into trouble in the big city. Cast: Vidya Balan, Nawazuddin Siddiqui, Parambrata Chatterjee. The film boasts a brilliant score by Salil Choudhury. Will the lovers be reunited and will ‘respectable society’ accept them? Cast: Amitabh Bachchan, Vinod Khanna, Rishi Kapoor. Will the love that Indian Hindu Veer (Khan) and Pakistani Muslim Zaara (Zinta) feel for each other be able to overcome cross-cultural, emotional and physical borders? Look out for your first newsletter in your inbox soon! Apart from the performances, the film is memorable for Salil Chowdhury’s score. Cast: Shashi Kapoor, Amitabh Bachchan, Neetu Singh. The big sceneWhen amateur runner Milkha is stripped for trying on the ‘India’ jacket only worn by champions and goes on to beat the bully in a race. ‘Sharmeelee’ is a typical example of that Bollywood storytelling staple: good twin versus bad twin. Bhardwaj extracts surprising performances from actors previously associated with more populist work: his cast display real torment and depth, particularly Saif Ali Khan as a deformed, scheming ‘Iago’ (called Langda here). The film narrates the story of a tainted ex-India hockey player (Khan) who coaches the women’s team to World Cup glory. The big sceneThe film’s catchphrase, ‘All is well’, is still part of everyday language in India. We already have this email. The big sceneThe now-famous Irrfan Khan pops up briefly as a professional letter writer. The big sceneWhen Salim sees the exposed feet of the sleeping, covered Sahibjaan, he is immediately smitten. The big sceneRaju has an epiphany on his deathbed – a spiritual awakening where he realises that even though the body dies, the soul will never fade away. Shambhu (Sahni) is a villager whose ‘do bigha’ (two-thirds of an acre) of land sits in the way of a plan to build a new mill. The big sceneThe songs are all knockouts, but ‘Baithe Hain Kya Uske Paas’, with the actress Helen shimmying on a bar in feathers, zebra print and spangled red fishnets, proves that more is indeed more. With only one previous film (‘Socha Na Tha’) behind him, director Imtiaz Ali announced his arrival on the big stage with a movie starring real-life lovers Shahid Kapoor and Kareena Kapoor. A grief-stricken Anand finds a lookalike of Madhumati and talks her into luring Ugaranayaran to confess his crime. 25 Hindi films in 10 years. Cast: Amitabh Bachchan, Shatrughan Sinha, Rishi Kapoor. Pleasing audiences with a film so soon after the Oscar-nominated ‘Lagaan’ was always going to be tough for director Ashutosh Gowariker. Mohan Bhargav (Khan, in one of his best performances) is on a short break from his job at Nasa in the States and visits his hometown in India. As Tiger, Khan adheres to the muscle-man template, but he also struggles over questions of loyalty to his lady or his country – a complexity not always afforded to India’s defenders. Expect 14 songs, two weddings and a cremation. Cast: Shah Rukh Khan, Deepika Padukone, Arjun Rampal. The big sceneThe nine-minute dance number, ‘Ghar Aya Mera Pardesi’ (‘My lover has come home’), sung by Lata Mangeshkar, is a dream sequence famous for its elaborate sets. ‘Mr India’ is huge fun, especially Mogambo’s catchphrase ‘Mogambo Khush Hua’ (‘Mogambo is happy’) which became a national craze. classics like 1957's ‘Mother India’, the first Hindi film to be nominated for Best Foreign-Language Film at the Oscars, to blockbusters like the ‘Bahubali’ saga, two films that sized up Hollywood and said, ‘We can do that too!’. Jumna becomes a police officer, while Gunga joins a group of bandits after heroically defending his love against a powerful landowner. The brothers head towards an unavoidable face-off. Ratnam’s interest in political issues may have clashed with Khan’s lover-boy image at the time, but at least the actor has one solid drama in his otherwise monotonous filmography. The big sceneWhen Radha’s rebellious son Birju (Dutt) shoots the lecherous evil landlord and kidnaps his daughter, she must take matters into her own hands to restore order. The success of the film comes from its strong attention to detail, a superb performance from Farhan Akhtar as Singh and an inspiring story. Its main characters, Devdas (Khan) and Paro (Rai), are childhood lovers, but class differences and difficult parents cause them to separate. Long before director Anurag Kashyap broke on to the international scene with films like 2012’s ‘Gangs of Wasseypur’, he struggled to release this controversial real-life drama about the infamous 1993 bomb blasts in Mumbai – arguably his best film to date.

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